“An Apology for the Actorly: Maravall, Sor Juana, and the Economics of Jongleuresque Performance.” Forthcoming in Bulletin of the Comediantes.
“Writing in the Margins: Cervantes’ Challenge to Massenet.” Seattle Opera Magazine 28.3 (Winter 2010-2011): 18-21.
“David Lynch and the Dulcineated World.” Cervantes 30.2 (2010): 33-56.
“On the Bricks: The Terra Nova Consort, Greenshows, and the Spanish Jongleuresque.” Comedia Performance 7.1 (2010): 103-42.
“The Moor’s Last Sigh: National Loss and Imperial Triumph in Lope de Vega’s The Last Goth.” LATCH 3 (2010): 34-63.
“Os Manchíadas.” USA Cervantes: 39 cervantistas de Estados Unidos. Ed. Georgina Dopico Black and Francisco Layna Ranz. Madrid: Polifemo, 2009. 247-72.
“De Laudatione Cervantina.” Early Modern Spanish Studies in Honor of Carroll B. Johnson. Ed. Sherry Velasco. Newark, DE: Juan de la Cuesta, 2008. 41-50.
“Suicide and the Ethics of Refusal.” Critical Reflections: Essays on Golden Age Spanish Literature in Honor of James A. Parr. Ed. Barbara Simerka and Amy R. Williamsen. Lewisburg, PA: Bucknell University Press, 2006. 44-54.
“Placing the Comedia in Performative Context.” Approaches to Teaching Early Modern Spanish Drama. Ed. Laura Bass and Margaret R. Greer. MLA Approaches to Teaching World Literature Series. New York: Modern Language Association, 2006. 107-114.
“Insidious Echoes: Ballad Resonance and Bodily Threats in Peribáñez.” Comedia Performance 3.1 (2006): 60-90.
“Cervantine Reflections on The Matrix.” Don Quijote Across Four Centuries: 1605-2005. Ed. Carroll B. Johnson. Newark, DE: Juan de la Cuesta, 2006. 49-59.
“Beleaguered Hegemony and Triangular Desire in Lope de Vega’s Las famosas asturianas and John Ford’s Stagecoach.” Bulletin of the Comediantes 56.1 (2004): 115-42.
“Salman Rushdie, autor del Cautivo.” Estas primicias del ingenio: jóvenes cervantistas en Chicago. Ed. Francisco Caudet and Kerry Wilks. Madrid: Castalia, 2003. 35-54.
Review of Quehaceres con Góngora by Julio Baena. Newark, DE: Juan de la Cuesta, 2010. (Forthcoming in Revista de Estudios Hispánicos)
Review of The Comedia in English: Translation and Performance. Ed. Susan Paun de García and Donald R. Larson. London: Támesis, 2008. (Forthcoming in Romanische Forschungen)
Review of Treacherous Foundations: Betrayal and Collective Identity in Early Spanish Epic, Chronicle, and Drama by Geraldine Coates. London: Támesis, 2009. (Forthcoming in Bulletin of the Comediantes)
Review of International Don Quixote. Ed. Theo D'haen and Reindert Dhondt. Amsterdam: Rodopi, 2009. (Forthcoming in Comparative Literature Studies)
Review of The Poetics of Speech in the Medieval Spanish Epic by Matthew Bailey. Toronto: University of Toronto Press, 2010. Calíope 17.1 (2011): 236-39.
Review of Transnational Cervantes by William Childers. Toronto: University of Toronto Press, 2006. Revista de Estudios Hispánicos 42.2 (2008): 366-68.
Review of Monarchy, Political Culture, and Drama in Seventeenth-Century Madrid by Jodi Campbell. Aldershot, England: Ashgate, 2006. Calíope 13.2 (2007): 102-105.
Review of El nuevo mundo descubierto por Cristóbal Colón / The New World Discovered by Christopher Columbus: Una edición crítica y bilingüe / A Critical and Bilingual Edition by Robert M. Shannon. New York: Peter Lang, 2001. Bulletin of the Comediantes 59.2 (2007): 427-29.
Review of Perfect Wives, Other Women: Adultery and Inquisition in Early Modern Spain by Georgina Dopico Black. Durham, NC: Duke University Press, 2001. Renaissance and Reformation 25.2 (2001): 100-102.
Review of El texto puesto en escena. Estudios sobre la comedia del Siglo de Oro en honor a Everett W. Hesse. Ed. Bárbara Mujica y Anita K. Stoll. London: Támesis, 2000. Gestos 32 (2001): 180-83.
Discussant for “El postmodernismo de Ortega y Gasset” by Felix Martínez Bonati. Mester 29 (2000): 1-27.
